Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Peto, John Frederick
Lincoln and the 25 Cent Note

ID: 19855

Peto, John Frederick Lincoln and the 25 Cent Note
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Peto, John Frederick Lincoln and the 25 Cent Note


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Peto, John Frederick

American, 1854-1907 American painter. He trained at the Pennsylvania Academy of Fine Arts (1877-8), Philadelphia, where he became a friend of William Michael Harnett whose work was a dominant influence on his oeuvre. Peto maintained a studio in Philadelphia, exhibiting at the Academy from 1879 to 1887; he earned a living through occasional work as a photographer, sculptor and painter. After moving to Island Heights, NJ, in 1889,   Related Paintings of Peto, John Frederick :. | Five Dollar Bill | Take Your Choice | Ordinary Objects in the Artist's Creative Mind | The Poor Man s Store | Discarded Treasures |
Related Artists:
HUBER, Wolf
German Northern Renaissance Painter, ca.1490-1553
Johann Heinrich Roos
German Baroque Era Painter, 1631-1685 was a German Baroque era painter and etcher. His works are presented in various art museums worldwide.
Jan Matejko
Polish Painter, 1838-1893 He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience






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